• Colloque,

27 ème Congrès international de la SERCIA : «La corruption au cinéma »

Publié le 11 mai 2020 Mis à jour le 12 septembre 2022
Date
Du 07 septembre 2022 au 09 septembre 2022
Lieu(x)
MSH - 4 rue Ledru à Clermont-Ferrand
Salles125 et 219

Responsables scientifiques : Christophe Gelly (CELIS), Caroline Lardy (CHEC)


La corruption au cinéma/Corruption and cinema

Programme Aires géoculturelles

Axe « Intermédialités et Interactions sociales »
 

Programme :

 
Mercredi 7 SEPTEMBRE 2022
ACCUEIL DES PARTICIPANTS /
REGISTRATION AND CONFERENCE OPENING:
9H30-10H30
Room 125

10h30-12h30
PANELS

 

PANEL 1
Room 125

Corruption and genre [1]
Chair: Gilles MENEGALDO
 
  • Cristelle MAURY, Corruption in Winter’s Bone (Debra Granik, 2010)
  • Isabelle SCHMIDT-PITIOT, Once Upon a Time in the West (Sergio Leone, 1968), a case study for genre corruption
  • Julie ASSOULY, From The Ballad of Buster Scruggs (Coen, 2018) to The French Dispatch (Anderson 2021), the episodic return of a corrupt form: anthology films
  • Sven WEIDNER, Corrupt male characters in the postmodern cosmos of the Coen-Brothers

PANEL 2
Room 219

Corruption and society [1]
Chair: Mikael TOULZA
  • Damien ROUSSELIÈRE, Chew bubblegum or kick ass? Carpenter's films as thought experiments on the sociology of situated judgments
  • Argyrios KELERIS, Body ideals, material degeneration and the cult of remembrance in Todd Haynes’s Superstar
  • Yann ROBLOU, “With great power comes great responsibility”—how are superheroes connected to corruption?
  • Vincent JAUNAS, In defense of Impurity: M. Night Shyamalan’s aesthetics of corruption

Discussion - Pause déjeuner - Buffet /
Panel debate - Lunch break (12h30-14h00)

14h00-16h00
PANELS

 

PANEL 3 
Room 125

Corruption and horror
Chair: Céline MURILLO
  • Gilles MENEGALDO, Corruption, mutations et hybridation des corps dans le cinéma d’horreur dans The Thing et Prince of Darkness de John Carpenter et The Fly de David Cronenberg.
  • Pablo GÓMEZ-MUÑOZ, Hunting Humans: Metaphors of Moral Corruption across National Boundaries
  • Julia ECHEVERRIA, The Corruption of the Body: Black Female Zombie in The Girl with All the Gifts
  • Mikaël TOULZA, “You Can’t Kill People with Voodoo, That’s Ridiculous!”: Black Women Directors’ Takes on Corrupted Representations of Louisiana Voodoo
 

PANEL 4
Room 219

Corruption and society [2]
Chair: Cristelle MAURY
  • Raphaëlle COSTA DE BEAUREGARD, The corrupting law of capitalism ‘Time is money’ VS the incorruptibility of Time: Stanley Kubrick’s gangster film The Killing (1956)
  • Dominique SIPIERE, Du bonheur de la corruption.
  • Celestino DELEYTO et María del Mar AZCONA, Cosmopolitanism as Productive Corruption: Hollywood Goes to Marseille in Stillwater
  • Marine SOUBEILLE, Corruption in Dallas – J.R. Ewing and the end of the American Dream
 

Pause 16h00-16h30

16h30-17h30 - Conférence de / Keynote conference : Martine BEUGNET
Chairs: Christophe Gelly & Caroline Lardy
Room 125


Jeudi 8 SEPTEMBRE 2022

9h00- 10h30
PANELS

 

PANEL 5 
Room - 125

Corruption and the filmic form [1]
Chair: Julia ECHEVERRIA
  • Janica TOMIĆ, This is the Hell that Lars von Trier Built: the Function and Corruption of the Cinematic Tableau
  • Patrick ADAMSON, Fractured Flickers (1963-4): Comic Corruptions of the Silent Screen
  • Sébastien LEFAIT, Surveillance on screen: exposing the corruptibility of image regimes


PANEL 6
Room 219

Bodies and corruption
Chair: Vincent JAUNAS
 
  • Guilhem BILLAUDEL, Corrupted Bodies and Images in Space Travel: Solitude as Illusory Purity in The Martian and High Life
  • Pablo CABEZA-MACUSO, Le personnage télévisuel dédoublé : le cas du « double-profané » — Corps corrompus, personnages sacrifiés, et identité-costume
  • Jocelyn DUPONT, Culture, Corruption and their Post-Wildean Variations

Discussion / Panel debate – Pause (10h30-11h)

11h00-12h30 - Conférence de / Keynote conference : Tricia JENKINS
Chairs : Christophe Gelly & Caroline Lardy
Room 125

 
Pause déjeuner-Buffet / Lunch break (12h30-14h00)
 
14h00-15h30
PANELS


PANEL 7
Room 125

Corruption and the filmic form [2]
Chair: Patrick ADAMSON
 
  • Andrea VIRGINÁS, ‘Corrupting’ the Past through Mediation: Degraded, De-framed, Frozen Shared Memories in Film Narration
  • German DUARTE, Negotiating reality and its simulation. Some insights on the ways technological processes of representation corrupted reality
  • Martin KNUST, Corruption and Decay: Some remarks about sound and music in cinema


PANEL 8
Room 219

Gender and corruption
Chair: Raphaëlle COSTA DE BEAUREGARD
  • Marianne KAC-VERGNE, Can action heroines age? The return of Sarah Connor in Terminator: Dark Fate
  • Anne-Marie PAQUET-DEYRIS, ‘Fallen’ Women Fighting for their Independence in a corrupt men’s world in Forbidden Hollywood Pre-Code Era Films
  • Sophie CHADELLE, Corrupting the Rom Com genre on screen: a multimodal analysis of Sex and The City’s subversive discourse on the Romance genre and its audiovisual translation


Discussion / Panel debate – Pause (15h30-16h)

 
16h00-17h30
PANELS

 

PANEL 9
Room 125

Political / Economic corruption [2]
Chair: Isabelle SCHMIDT-PITIOT
 
  • Amira Mc GIVNEY, The Roots of Corruption in The Witch: A New-England Folktale (Robert Eggers, 2015)
  • Thierry CORMIER : Les nouveaux corrupteurs. Une exploitation et une histoire du cinéma alternatives — Corruption des supports, des canaux de diffusion et de l’histoire du cinéma

PANEL 10
Room 219

Places of corruption
Chair: Pablo GÓMEZ-MUÑOZ
  • Andrés BUESA, Corrupting the Innocent Child: Childhood, Ethics and Spectatorship
  • Hadrien FONTANAUD, Mud and Flame: celebrating corruption over purity in David Rudkin and Alan Clarke’s Penda’s Fen (1974)
  • Jean-François BAILLON, Decadence and Decay in Nicolas Roeg’s Don’t Look Now (1973): Venice, Abject City?
 
18h00-19h PROJECTION COURTS METRAGE – LA CORRUPTION
SHORT FILM SCREENING (RELATED TO THE TOPIC OF THE CONFERENCE)


 
Vendredi 9 SEPTEMBRE 2022

9h00- 10h30
PANELS

PANEL 11
Room 125

Political / Economic corruption [2]
Chair: Marianne KAC-VERGNE
 
  • Zeenat SALEH, The White House- Washington Connection
  • Zachary BAQUE, Operation Abolition (HUAC, 1960) et la corruption des images
  • Nadine ASMAR, De New York au Caire, la corruption policière au cinéma et des personnages antagonistes au même sort

PANEL 12 
Room 219

Corruption and genre [3]
Chair: Julie ASSOULY
 
  • Nicole CLOAREC, Occupational hazards or the corrupting power of genre movies in Berberian Sound Studio (Peter Strickland, 2012) and Censor (Prano Bailey-Bond, 2021)
  • Céline MURILLO, Corrupt images and characters: exposing violence in G-Man (Beth B, Scott B, 1978)
 
 Discussion / Panel debate – Pause (10h30-11h)
11h00-12h30 ASSEMBLEE GENERALE DE LA SERCIA / SERCIA GENERAL ASSEMBLY 
Room 125